Steve Lincoln Hubber
Approaching Silence
Bronze £7,200
Exuding female calm and elegance thsi figure was created at the start of the artist's career; mcuh of his work is now much more abstract.
Born Christmas Eve 1966 within The Chiltern Hills, England. Steve Lincoln Hubber is a sculptor, painter, photographer and published poet.
He trained with some of the finest artists and technicians in his field. He spent his early years working in foundries, moulding studios and wood pattern workshops, which undoubtedly have equipt him with the necessary skills to create some beautifully observed and constructed artwork.
He sells his work Worldwide to clientelle including private collectors, interior designers, businesses and art lovers alike. Steve works part time with Deirdre Hubbard FRBS in London, who in turn worked with Dame Elizabeth Frink. Recently Steve became an awardee from The Arts Council and also was involved in producing sculpture for the Queen Mary Cruise Ship.
The direction of an artwork is determined by what provides that initial spark of inspiration: be it natural forms, dance, human expression, emotion, or a desire to experiment with different material. So the work is virsatile and can stretch a natural form toward abstraction or represent to natural confinds. His canvas work blurs the line between sculpture and painting, though for this gallery he wishes to show work more aggresive toward a 3 dimensional form : Sculpture.
His sculptural instinct is sensuous in line, but feels the need to present intelligent matter, i.e. abstracted as if it was not created by a human hand.
"When observing abstract or figurative work, we must believe the object to be thinking, as observing an object within Nature..."
His freeform sculpture beautifully observe Nature`s vitality pressing against the space that surrounds them. He creates and relieves tension with the speed of the curves, using light and shade as his pallet.
"I enjoy envisaging our planet as a spherical lichen. My sculpture and canvases are fractal particles of this living mass and so must observe the laws of this creation - so to obtain a recognision from the viewer.. or to put with less gush..: every plain or curve should effect the next as to communicate with the viewer, otherwise it is bad art.."
